A lot of people see something that's obviously anime-ish and go "ew anime that stuff is stupid" where Big O doesn't quite look like anime. Maybe that's why it didn't do so great in Japan, too. That and because it was very American, film noir styled, as opposed to hyper bright and shiny.
Agree totally. I'm having a devil of a time convincing my friends to watch
Big O, since I know they'd like it, but understandably they lump all anime into the pre-teen-romance-soap-opera-with-robots-piloted-by-annoying-children cliche. Which simply does not describe
Big O.
Well, there is a progressing story (not just robots trashing the Paradigm City) and some emotion, but it's very downplayed compared to the bulk of the anime out there. My friends had the same reaction to Big O when I described it to them.
Personal favorites for me are:
-The American perspective on cars. Granted other areas of the world have cars, but to most countries they're just
transportation. In America, it's part of your attitude, your lifestyle...
-The science fiction (the abbreviation "sci fi" is overused and annoying) elements are very low-key:
Androids have R. initials before human names, not series numbers...
The Griffon, Roger's briefcase, and Norman's cycle have high tech gadgets, but retro styling...
Except for the domes, structures have a retro style...
Paradigm Corporation uses "inclines" (a type of cable car) for moving people, rather than elevators or escalators...
It almost reminds me of...and this will make people cringe...Star Trek... Granted Dune and Star Wars included histories
and traditions, but Star Trek included Earth history and traditions.
- People only yell when they're angry, and they don't get angry at the drop of a hat. In fact, there are few sudden mood
swings, Dorothy's request for Roger the Negotiator to negotiate her adoption of Pierot nonwithstanding (and given the
circumstances, her reaction was appropriate)...
- Some witty humor, not just slapstick stuff...